Play Along Piano

Tags

Baroque

Sonata No.34 in d-moll

jsidew

32:59	Est. Play Time
269	Measures
	1,499Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	18	10	8	85%
		14	0	3	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	18	10	8	85%
		14	0	3	6	94%

HWV56N48 - The Trumpet shall sound

edward.maurath

6:43	Est. Play Time
215	Measures
	1,825Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Continuo	21	0	5	7	99%
Harpsichord	19	81	5	7	92%
	24	43	7	7	90%
Bass Voice	16	0	4	8	70%
Trumpet	9	0	1	7	64%
Viola	14	0	1	6	52%
Violin 1	14	0	1	6	52%
Violin 2	11	0	1	6	52%
Violoncello Continuo	16	0	1	6	52%
Violone Continuo	15	0	1	6	52%

Arcangelo Corelli: Sonata da Chiesa in F Major, Op. 3, No. 1

SilverMaple

5:09	Est. Play Time
157	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	4	8	100%
Viola	19	0	3	8	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	20	0	4	8	100%
Viola	19	0	3	8	98%
Continuo	20	1	4	7	94%
	19	0	4	4	15%

'Praise my Soul, the King of Heaven' - Baroque Orchestration

tennickmusic

3:10	Est. Play Time
158	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn in D	10	0	1	2	87%
Bassoon	13	0	2	3	80%
Oboe I	10	0	1	2	67%
Oboe II	7	0	0	3	66%
Continuo.	22	0	4	3	59%
Flute I	10	0	1	2	51%
Flute II	7	0	0	3	50%
Soprano amp;amp; Alto	11	21	1	2	49%
Tenor amp;amp; Bass	14	28	2	3	49%
Violas	6	0	0	2	41%
Violino I	10	0	1	2	41%
Violino II	8	0	0	3	40%
Violoncellos	13	0	2	3	39%

Buxtehude - Trio Sonata No.1 in F. {Professional production full score.} Unfinished.

Jamie Holdham

1:36	Est. Play Time
208	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino.	16	0	3	9	100%
Harpsichord	23	44	8	7	94%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino.	16	0	3	9	100%
Harpsichord	23	44	8	7	94%
	21	2	5	7	90%
Viola da gamba.	15	0	4	7	92%
Cembalo.	20	0	4	8	89%

Follia Bis

ekeller00

5:52	Est. Play Time
192	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	10	98%
	19	5	7	100%
	19	4	7	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	2	10	98%
	19	5	7	100%
	19	4	7	100%

Zelenka - Regem Cui Omnia Vivunt, Officium Defunctorum (ZWV 47)

johnsmith1

10:59	Est. Play Time
241	Measures
	2,635Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	26	0	8	9	82%
Basso Continuo	27	0	8	8	80%
Violins I	29	1	12	9	79%
Violins II	28	0	11	8	78%
Alto	14	0	5	7	67%
Flute	26	9	10	6	65%
Oboe	22	10	8	6	54%
Bass	13	0	3	6	32%
Soprano	11	0	3	4	27%
Tenor	9	0	2	4	26%

Die Sieben Worte Jesu Christi am Kreuz

Presently42

16:34	Est. Play Time
376	Measures
	2,041Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuus	22	1	7	7	100%
Tenor II	14	0	5	9	47%
Tenor I	14	0	4	9	42%
Vox suprema instrumentalis	14	0	5	6	36%
Altus instrumentalis	15	0	5	6	35%
Altus	11	0	3	9	34%
Cantus	15	0	6	9	31%
Bassus	16	0	6	9	30%
Tenor instrumentalis II	10	0	2	6	16%
	9	0	2	5	16%
Bassus instrumentalis	15	0	5	6	16%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1	26	0	9	10	97%
Violini 2	27	0	9	10	94%
Viole	18	0	4	8	83%
Contrabassi Continuo	25	0	10	10	81%
Violoncelli Continuo	25	0	10	10	81%
Bassoon Continuo	26	0	10	10	45%
Oboe 1	22	0	8	9	45%
Organo	16	39	5	9	40%
	20	1	5	9	41%
Cembalo Continuo	17	42	5	6	30%
	20	4	3	6	30%
Oboe 2	18	0	5	7	26%

Singe-, Spiel- und Generalbassübung TWV 25:39-85 No 1 - 24 (TIP)

Bartók forever

8:11	Est. Play Time
198	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	80	7	7	99%
	21	0	7	7	99%
Voice	17	0	4	6	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	80	7	7	99%
	21	0	7	7	99%
Voice	17	0	4	6	100%

E pur'io torno

HoltWasHere

3:52	Est. Play Time
183	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	69	9	8	100%
	22	9	3	6	100%
Voice	15	0	3	8	77%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	69	9	8	100%
	22	9	3	6	100%
Voice	15	0	3	8	77%

HWV248N29 "Herr, dein Mitleid, dein Erbarmen"

edward.maurath

9:59	Est. Play Time
167	Measures
	1,575Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	76	9	5	93%
	29	18	11	4	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	22	76	9	5	93%
	29	18	11	4	100%
Bassoon Continuo	26	0	10	4	100%
Oboe 1 d'amore	19	0	7	6	91%
Oboe 2 d'amore	22	0	7	6	86%
Soprano	17	0	4	6	63%
Bass	18	0	6	6	61%

Schütz, Heinrich : swv426 meine Seele erhebt den herren

Haricophile

7:17	Est. Play Time
198	Measures
	1,421Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	28	6	7	97%
	20	0	6	7	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	28	6	7	97%
	20	0	6	7	97%
Alto	13	0	4	7	98%
Ténor	13	0	4	7	96%
Soprano	13	0	4	7	89%
Basse	16	0	5	7	83%